On The New Parthenon
Khanya Mashabela

I walked into a little side room. A woman saw me enter and followed behind with interest. On two tables were two screens. I walked around them and then stopped, standing next to her, watching a Lo-Fi video of a woman throwing plates across a room. A silent minute passed, us strangers standing together attempting to parse the work’s meaning. She turned to me, “Do you understand what’s going on in this exhibition?” suppressing frustration, “I can’t make sense of any of this.”

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